[vc_row default_id=”themesflat_1595022812″ css=”.vc_custom_1595078710423{margin-right: 5px !important;margin-left: 5px !important;background-image: url(https:\/\/kuwf.org\/2020\/wp-content\/uploads\/2020\/07\/m3.jpg?id=3130) !important;}”][vc_column]
Mr. Lee Talbot is Curator of Eastern Hemisphere Collections and a lecturer with the Art History Program at The George Washington University Museum and Textile Museum, where he specializes in East Asian textile history.<\/p>\n
Before joining The Textile Museum, he spent two years as Curator at the Chung Young Yang Embroidery Museum at Sookmyung Women\u2019s University in Seoul, Korea. He co-curated The Textile Museum\u2019s 2015 exhibition Unraveling Identity: Our Textiles, Our Stories, the first show presented in The Textile Museum\u2019s new home at GW. He was co-curator of the museum\u2019s second major exhibition at GW, China: Through the Lens of John Thomson<\/em> (1868-1872) (2015- 2016) as well as co-curator of Bingata! Only in Okinawa<\/em> (2016- 2017), presented in collaboration with the Okinawa Prefectural Government. His other recent exhibitions include Stories of Migration: Contemporary Artists Interpret Diaspora<\/em> (2016) and Vanishing Traditions: Textiles and Treasures from Southwest China<\/em> (2018).<\/p>\n Publications include chapters on China and Korea in History of Design: Decorative Arts and Material Culture, 1400-2000<\/em> (Bard Graduate Center\/Yale University Press, 2013), Threads of Heaven: Textiles in East Asian Ritual and Ceremony (Sookmyung Women\u2019s University Press, 2006), Art by the Yard: Women Design Mid-Century Britain<\/em> (The Textile Museum, 2010), and articles on various aspects of decorative art and design history.<\/p>\n He graduated from Rhodes College with a bachelor\u2019s degree and holds an MBA from the Thunderbird School of Global Management and a Master\u2019s from Bard Graduate Center. He is completing his doctoral dissertation on Korean textiles and costume history at Bard. He is a board member of the Textile Society of America and serves on the editorial board of Textile: The Journal of Cloth and Culture<\/em>. ltalbot@gwu.edu, https:\/\/museum.gwu.edu\/lee-talbot.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”4417″ img_size=”full” css=”.vc_custom_1602408124808{background-color: #ffffff !important;}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row default_id=”themesflat_1595124802″ css=”.vc_custom_1595162784886{margin-top: 50px !important;}”][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row default_id=”themesflat_1595022812″ css=”.vc_custom_1595078710423{margin-right: 5px !important;margin-left: 5px !important;background-image: url(https:\/\/kuwf.org\/2020\/wp-content\/uploads\/2020\/07\/m3.jpg?id=3130) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”5\/6″][vc_column_text css=”.vc_custom_1601793918258{padding-top: 5px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #ffffff !important;}”] Lee Talbot Mr. Lee Talbot is Curator of Eastern Hemisphere Collections and a lecturer with the Art History Program at The George Washington University Museum and Textile Museum, where he specializes in East Asian […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3636,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-3379","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/pages\/3379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/comments?post=3379"}],"version-history":[{"count":6,"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/pages\/3379\/revisions"}],"predecessor-version":[{"id":4420,"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/pages\/3379\/revisions\/4420"}],"up":[{"embeddable":true,"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/pages\/3636"}],"wp:attachment":[{"href":"https:\/\/kuwf.org\/2020\/wp-json\/wp\/v2\/media?parent=3379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}